WHOSE
POINT OF VIEW?
In the opening scene of a book I picked up
recently, the story begins in omniscient POV (the narrator) watching as the
hero ascends the steps to a house, POV moves to the hero for two paragraphs,
then to the footman, then to the heroine, back to omniscient and back to the
hero. All of this in one short scene.
This wasn’t a contest entry or a first book
– this was the umpteenth book by a well published author. Thinking it may just
be an unfortunate aberration I ploughed on, but every single scene is the same…
head hopping between the narrator and several characters. Sorry to say, but
this was a DNF (did not finish). And the
reason I did not finish it? With all that head hopping firstly I couldn’t keep
track of whose head I was in and secondly, and most importantly, I did not care
enough about any of the characters (let alone the hero or heroine) to persist.
The reason I did not care was because I never got a chance to get to know them,
get into their heads, under their skin, see what they were seeing, feel what
they were feeling…
And that is what point of view is all
about. A good story puts you into the character’s skin and you become that
character. This is even more important when you are writing a romance which is
all about the relationship between two people.
I’m the last one to lecture about ‘rules’
but in my opinion this is a simple ‘rule’ or guidance, particularly if you are
just starting out on your writing journey. Unless you are supremely confident
in your writing, Keep It Simple Sweetie (KISS) - one point of view per scene is enough.
If you are writing a romance (even if
you’re not!), the only two points of view the reader wants to see is that of
the two protagonists – the hero and the heroine. One point of view character
per scene. Put yourself in the shoes of
the point of view character. SHOW DON’T TELL. Guess what… he doesn’t care about
his own ‘blue eyes’ but he does care about her grey eyes. What can he see, smell, hear, touch?
But which character to use? The character
who has the biggest emotional investment in the scene and if you find the scene
is not working, switch the point of view to the other character and you may
find seeing it through HER eyes makes the scene work a whole lot better.
If you must use the point of view of a
third character, use it sparingly but consistently through the book. If
Uncle Albert has an important role to play, feed little scenes with him (again
in his POV alone) from early on in the
book, don’t save his point of view for one scene right at the end. Make him a
part of the story arc, but not so as to detract from the two principal
character.
But please, please do not head hop between
characters in the same scene! (Or at least not unless your name is Nora
Roberts)
ABOUT
ALISON
Award winning Australian author, Alison
Stuart learned her passion from history from her father. She has been writing
stories since her teenage years but it was not until 2007 that her first full
length novel was published. A past president of the Romance Writers of
Australia, Alison has now published seven full length historical romances and a
collection of her short stories. Many of
her stories have been shortlisted for international awards and BY THE SWORD won
the 2008 EPIC Award for Best Historical Romance.
Her inclination for writing about soldier
heroes may come from her varied career as a lawyer in the military and fire
services. These days when she is not
writing she is travelling and routinely drags her long suffering husband around
battlefields and castles.
Alison’s latest book is EXILE’S RETURN, a stunning
historical romance set in the period of the English Civil War.
England, 1659: Following the death of Cromwell, a new king is
poised to ascend the throne of England. One by one, those once loyal to the
crown begin to return ...
Imprisoned, exiled and
tortured, fugitive Daniel Lovell returns to England, determined to kill the man
who murdered his father. But his plans for revenge must wait, as the King has
one last mission for him.
Agnes Fletcher's lover
is dead, and when his two orphaned children are torn from her care by their
scheming guardian, she finds herself alone and devastated by the loss.
Unwilling to give up, Agnes desperately seeks anyone willing to accompany her
on a perilous journey to save the children and return them to her care. She
didn't plan on meeting the infamous Daniel Lovell. She didn't plan on falling
in love.
Thrown together with
separate quests – and competing obligations – Daniel and Agnes make their way
from London to the English countryside, danger at every turn. When they are
finally given the opportunity to seize everything they ever hoped for, will
they find the peace they crave, or will their fledgling love be a final
casualty of war?
TO MARK THE RELEASE OF EXILE’S RETURN, ALISON IS RUNNING A CONTEST TO WIN A ‘GUARDIANS OF THE CROWN’ SWAG BAG. Enter by clicking HERE
I think we'll have to agree to disagree on this one Alison. I think if an author head hops a reader picks up on this very quickly and expects it so when it does happen it's not so jarring. As long as you always know as a reader whose head your in then I don't mind it. (And I say this as a reformed head hopper :-) ) This is where so many fail. I agree with consistency and not hopping into minor characters POV's especially if it's not consistent.
ReplyDeleteI don't disagree with you, Amy! It can be done well but in the hands of a skilled practitioner, such as Nora. The example I gave was extreme but real and it killed the story for me.
DeleteThanks for this lesson. If done well, I love reading all POV. But if it is jarring me, it throws me out of the story.
ReplyDeleteI agree, Olivia. It is good to get inside the heads of some characters but it has to be done well and sparingly - particularly in romance where the only characters who really matter are the H/H.
DeleteNora Roberts does do it well, and it's something I did a LOT in my first writing attempt. An attempt that has since been fixed and subsequently shelved! :)
ReplyDeleteOh, Jemi, so did I!!!! I cringe when I read my first attempts now. Multiple characters and head hopping all over the place. These days I do strictly keep myself to just the hero and heroine - although in my latest book a 3rd character did get a say but always in discreet scenes. NEVER head hopping in the same scene.
DeleteI'd be curious to know his reason behind his choice of POV. I know Faulkner's a challenge to read because of his time-hopping, but he has a purpose behind it and once you "get" that, you get the reason for his stylistic choice. Sorry you couldn't finish the book. That's always a bummer.
ReplyDeleteI certainly didn't get it! Yes one of the minor characters did take on a role later in the book but to be in his POV was unnecessary - IMO. It is a book with plenty of wonderful reviews so I am an outlyer which makes me think, readers are far less fussy about this then writers who are readers.
DeleteHead popping can definitely be hard to follow. How surprising that the book you DNF had this problem considering the author has written so many books. Definitely a great reminder to everyone to stay in character. :)
ReplyDelete~Jess
I so wanted to like the book, Jess. I hate not finishing a book but the story relied so much on the strength of the two protagonists that all the multiple viewpoints meant I just couldn't connect with them.
DeleteI’m reading a book just like that at the moment. The only difference is I would like to finish it because I’ve rather fallen in love with one of the characters! However, trying to sort one person from another is no fun, so I may well give up. It’s the kind of book I can happily leave for days on end so I don’t really know why I’m wasting my time.
ReplyDeleteWhat a shame, Barbara. My reading time is so precious that I think that's now my test - if a book can't hold my interest then that's it. Thank heavens for ebooks!
DeleteI'm not a fan of the third person omniscient POV either. I think it kills the mystery. If I know what everyone is thinking in a scene, there is no guessing for me. I want to decipher for myself the other characters' reactions.
ReplyDeleteYes! SHOW the story, don't have some anonymous voice translating for you!!! That is the mark of good writing IMO!
DeleteI am not a fan of head hopping, like you said, I want to get to know the characters and if I don't get to know them, I don't care about them ♡
ReplyDeleteAbsolutely... particularly in romance books. The reader has to crawl into the skins of the H/H and how can you do it if the author is hopping around all over the place!
DeleteSome head hopping books have been amazing and others have been either too swift or too shallow for me to sink in the characters, and I put those down.
ReplyDelete